To Make Good Art, Find Your Type and Embrace It

Last weekend, I was cameraman for an acting-for-film workshop. Among the issues that came up were questions and suggestions about auditioning and getting jobs. The instructor advised students to learn what type(s) they were and then go after roles that were that type. She went on to say that actors should be comfortable with what types they can and cannot play believably.

Her basis for all of this was that film is an intensely visual medium so it is very useful to know how you come across on camera. This enables you to go for roles that “fit” you physically, which means that you can be visually convincing for your audience. At the same time she said that the camera will pick up your personality whether you want it to or not, so it makes more sense to admit that your personality informs your work.

Essentially her advice was to find out who you are and who you can be and embrace that. It seems to me that this simple instruction might be sound advice for any artist in any medium. Perhaps those of us who are not actors need to discover who we are as artists and embrace that and let it inform all that we do artistically.

Perhaps then we can actually make art that represents us and our world view and our values and emotions and all of those things that we were going to do when we first started. And that would guarantee that we would put ourselves into our work. Perhaps then we can allow ourselves to ignore the fusillade of advice that bombards us daily about how to sell our work, how to advance our careers, how to modify what we do so it will better fit the marketplace.

But then what about those careers? How are we to sell what we make if all we do is make art that represents and pleases ourselves? The workshop instructor’s answer to this question was, “Money follows bliss,” another version of the more familiar “Money follows passion.” As simplistic as it sounds, almost every career guide echoes this idea. If we are blissful or passionate doing what we do, it is likely that that will come through, and we will do a better job and create better artifacts. And it is equally likely that viewers of our work will see the quality and the passion and reward us.

If we try to be all things to all people or if we try to produce whatever is trending in the marketplace, we do a disservice to ourselves and to our talent. And we may find that if we wander too far from our own “type” of art, from who we are, our work can become confused, unconvincing, forced, or trivial.

This certainly does not mean that we cannot change. Most of us do change; many of us evolve. Some of us care about different things at different times; those changes can certainly be reflected in our work. Others of us have much the same interests and concerns that we had decades ago, but we may develop new ways to express those concerns and interests. Regardless of who we are or how we express ourselves, what is important is that we allow ourselves to create work that reflects us, and does so honestly.

None of this means that we can disregard auditions or juried shows or gallery exhibitions or having an internet presence or networking. But it does mean that that we can believe in what we are presenting, that we know what we are offering is real and valuable and genuine—and ours. It may take a little longer to find our audience that way, but we can and we will.

 

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Date: Sunday, 29. April 2012 23:38
Trackback: Trackback-URL Category: Audience, Creativity, Originality

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