Sunday, 24. August 2014 23:18
Well, he got it wrong with regard to creating art, at least in my estimation. Two of the basic tenants of Buddhism are non-attachment and the middle way. Non-attachment is normally presented as essentially “holding the world at arms length slightly and looking askance at it.” This applies to pleasures as well as pain. The middle way is “a balanced approach to life and the regulation of one’s impulses and behavior” between “self-denial and self-indulgence.”
The last post suggested that passion is a requisite for making art. If that is true, then the artist could not be detached or distant. Rather, the artist must be invested in the act of creation or the results, even though technically perfect, are likely to be mediocre or worse.
For example, not long ago at notes for a play rehearsal in a production utilizing very young actors, I heard myself tell one of those young actors that he needed to “own” the cross that he took in a particular scene (We had already had the motivated/unmotivated cross discussion). His mental and emotional detachment from his movement made his work unbelievable. Actors must own, or at least appear to own, not only their movement, but their words and gestures as well.
And “own it” is what other artists must do too. No matter what our medium, we must invest ourselves in our art. We must connect with it and nurture it and love it and hate it and expend our passion on it. Otherwise, it is likely to be bland or mechanical and certainly less than it could be
So while the notion of non-attachment may be an excellent principle to live by and while it is very, very useful for an artist when the creative process is over—in the critique, showing, and selling stages, during the process of creation, it is a distinct liability. It keeps us from engaging with, investing in, and owning our work.
The middle way, avoiding extremes, is also a very useful way to approach life. And it is also useful after the creative process has come to an end. The middle way coupled with non-attachment can be a great help to us in withstanding criticism and rejection, which, unfortunately, seem to come with life as an artist.
However, while the artist embraces creativity and the artistic process, he/she may be lead into behaviors that are anything but balanced. Obsession or creative frenzy is necessary—at least for some artists. Many have commented on it. George Sand said, “The trade of authorship is a violent, and indestructible obsession.” Barbara Streisand said, “I’ve been called many names like perfectionist, difficult and obsessive. I think it takes obsession … for any artist to be good.” Obsession is the opposite of the middle way; rather it is an extreme single-minded self-immersion in the process of creation. Hazel Dooney has summarized, “Art can never be part of a balanced life. It only works if it’s a complete obsession.”
So Buddha got it wrong? Certainly not with regard to life, but it does seem to be so with regard to creating art. Perhaps I do not fully understand the concepts of the middle way and non-attachment, or maybe I don’t fully understand creating art. But the more I think about it, the more difficulty I have in reconciling these notions with the intense attachment and extreme focus that it takes to make good art. Your thoughts?