Tag archive for » new eyes «

Oh, I See What You Did There

Monday, 29. October 2018 0:39

Earlier this week, I watched the last episode of the third season of The Man in the High Castle. Immediately I thought of what a good job they did setting up Season 4, which will undoubtedly begin with explanations of some of the questions raised by this episode. A bit later I realized that the writers and showrunners had also set up an ending that could also serve as an ending of the series if that should be the way the winds blew at Amazon Studios. Somehow these artists had managed to wrap up Season 3 with an all-purpose ending, which only speaks to their level of skill and artistry.

Much the same sort of thing could be said about the very last episode of The Americans, which I watched earlier this year. While the episode was decidedly the end of the series and nearly a perfect ending at that, there were enough questions left unanswered that could be developed into at least three spin-offs. Again, the artistry and skill levels were of the highest.

Then I began to wonder how these shows impacted their intended audiences. What I mean is that I, like all artists trained in the US, and unlike the intended audience for these television shows, have spent hours analyzing works of art. It’s something I teach my students to do. We dissect plays to see how they work, how the characters are constructed, how the plot is put together, why the ending works—or doesn’t.

As far as I know, other arts do the same. Visual artists analyze the work of older artists to determine exactly what it is that causes them to be great. Musicians learn much the same thing—how the structure of a musical piece works, how the melody resolves itself to lead to listener satisfaction. Photographers certainly do it, eager to determine the lighting and composition plans, determined to understand why a photograph works on the emotional level that it does. We want to know not only what the artist did but how s/he achieved whatever it was that s/he achieved.

And then it becomes habit. We cannot experience a work of art without analyzing. And this is particularly true if the work is not of the highest quality. Even the smallest interruption to engagement causes those of us who are trained to start wondering why we are disengaged, and from that point on we shift into full analysis mode. The outstanding production values and quality of acting in the two television shows mentioned allowed me to hold my analysis until those episodes were over. Otherwise, I would have begun evaluation while the show was going on, further distancing myself from the work.

The point of this, you ask? The point is the acknowledgement that we will never view art in the same way as our audience, who, for the most part, are not trained to analyze and evaluate art the same way we are. Absent training in appreciation, analysis et al, they are likely to see something far different from what we see. Knowing this, we must be very careful in evaluating our own work and establishing the criteria we use to judge what pieces we put before an audience.

Because we know what we did and how we did it, we must return to the piece again and again with new eyes, delaying analysis so we can see what the audience is likely to see thereby to better judge the audience’s reaction. Then we can use that information to make our work even better.

Category:Audience, Creativity | Comment (0) | Autor:

“I Never Thought About It Like That Before”

Monday, 9. October 2017 1:13

Over the last few weeks I’ve heard that phrase or some variation three or four times. In each case it was a genuine acknowledgement of a new and interesting viewpoint on an old topic. It’s not a saying that we hear all that frequently, so it surprised me to hear it so often in such a relatively short time span. And there’s a reason that it’s not all that common; it’s because we are seldom presented with the opportunity to say it. Rarely are we presented with a new and interesting viewpoint on an old topic.

And that’s sad, because it seems to me that that is exactly what artists should be doing: looking at topics (Old topics are just fine—are there really any new topics?) with new eyes and thinking about them in new ways and then showing that new, unique, and interesting viewpoint to their audience. Isn’t that what all the great artists have done—forced their audiences to look at a subject from a different perspective—one they never thought of before? And suddenly their world changes. Because of the new point of view, they see the matter in a completely new light, and if their mind is open only the smallest bit, they are forced to acknowledge how different the topic is when viewed from this new direction.

If the artist is in the business of making artifacts to sell and has found a comfortable market niche, s/he may not be interested in doing anything differently; the old point of view may be working very well. However, if the artist is about creating new things, developing a new viewpoint may be exactly what is needed. It will provide the artist with a different approach to his/her work which can only result in work that is new and different, work that is more thought-provoking and interesting than previous work.

Still, it’s difficult to look at thing differently than we have in the past. Artists, like almost everyone else, have comfortable habits, both physical and mental. We do things the way we’ve done them in the past, and we think about think about things the way we always have. And it becomes really easy to convince ourselves that we can create within our comfort zones. And we can, but our work of tomorrow is likely to look like our work of today which looks like our work of yesterday. Our work is of high quality and has a consistent point of view. What could be better?

Work that is of high quality and is new and fresh and unexpected might be better. That is what we could anticipate if we can manage to come out of our comfort zone and look at our subject matter and take a fresh look at our subject matter. With that fresh look will come fresh insights, and those fresh insights will cause our work to be new and fresh as well. And because our work is new and fresh and interesting, we have more to give our audience.

The net result is that we will be better artists. It is likely that we will not reach our full artistic potential until we are willing to come out of that comfort zone and look at the world or at least the artistic part of our world in new and different ways. Only by doing that will we grow as artists.

Category:Originality, Productivity, Quality | Comment (0) | Autor:

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