Artistic Ineptitude

One expects ineptitude from students: actors who don’t yet have the experience to make good artistic choices; sculptors who are lacking a firm grip on the concept of the piece, painters who are just beginning to work out their technique, musicians whose technical skills are not fully developed. That’s perfectly fine. Although they would probably resent the label, these are artists-in-the-making. Their skills are not fully developed and their knowledge and experience are limited. Thus ineptitude.

People who are professionals, however, are a different story; one expects—well—professionalism. Some professional artists are able to jump from art to art and exhibit capability in several areas. Others, however, cannot make this sort of jump gracefully. James Franco, for example, an actor of some repute, evidently thinks he can excel at any art. Unfortunately, he has not found the same success in several fields that he has found in acting. This is evidenced by the title of Charlotte Runcie’s review of Franco’s poetry: “James Franco’s poems: hard to forgive.” In reviewing some of Franco’s attempts in areas other than acting, Runcie quotes New York Times critic Roberta Smith, who called him “embarrassingly clueless about art.

Occasionally, the ineptitude is in the artist’s primary field. Some of the most egregious examples of photographic ineptitude to be found on the web are displayed on a site called, created by two people calling themselves Ginger and Mary Anne.

One doesn’t have to look far to find artistic ineptitude. For instance, I had the misfortune once to act as consultant to one of the inept. I found the experience more than a little frustrating. He refused to listen to most of what I had to say, picking up just the bits that supported what he had already decided. The notion of actually learning anything that would have improved the production was completely foreign to him.

The resulting event was, at least by my standards, a complete bust. It was disorganized, badly produced, and exhibited a complete lack of understanding of the audience. It was boring not only to me but everyone in our party, some of whom were young and relatively inexperienced. The sad part was that it didn’t have to be. Had the “producer” listened to any of the several advisors who were available, he could have learned a little about producing and directing. He was not interested. He was certain—without any sort of training—that he was qualified to produce, direct, choreograph, design lights and sound as well as curate visual art. Alas, his lack of training showed.

The problem is not the lack of available of expertise, but the refusal to access that expertise—for one of two reasons: (2) the person who is inept is lacking the self-knowledge to understand that he/she needs the help of a trained professional and/or (2) simple hubris.

Let me be clear, I am all for anyone attempting to do anything. I am a firm believer in the human ability to learn and create in any number of fields, with or without formal training. However, to attempt to work in a field armed only with intuition and with no attempt to learn is foolish. Then to do really sub-standard work and have the temerity charge money for it requires egoism that borders on narcissism. The antidote? Learn who you are. Learn where your excellence lies. Do that. Learn other stuff. Become excellent at that. Do that too. Disavow ineptitude.

Date: Sunday, 6. March 2016 23:42
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