Everybody Loves Bob Dylan

Actually…they don’t—not everybody. Admittedly, a great number of people love Bob Dylan, and an even larger number like him, but some only like one or two songs, and some don’t like him at all. And that’s the thing about art: most art does not resonate with everyone, and some art resonates with just a few people. This is what makes it so difficult for an artist to make a living doing their art—finding enough people who not only like the art, but like it well enough to spend money on it. It has been a problem from the very beginning of art until the present.

Even people who work in the art world, artists included, acknowledge that they don’t like all art. What they understand, however, is there is a great difference between liking a piece of art and understanding that it is good art, regardless of how well it is liked. Take Dylan for example. While not everyone likes his music, there is near universal agreement that he is “considered to be one of the greatest songwriters in history.” “Liking” something indicates that we have a personal resonance with the object; it speaks to us. Acknowledging the quality of something, on the other hand, indicates that we recognize that the art in question meets certain standards and has intrinsic value. Thus, while we may or may not like Dylan’s work, we must appreciate that the quality of it is such that he was awarded the Nobel Prize in Literature in 2016 for his song lyrics.

Such a distinction applies to all arts. Take, for example, professional wrestling. At first glance this activity may not seem to be an art, however, it is clearly defined as “a form of athletic theater that combines mock combat with drama, under the premise that the performers are competitive wrestlers,” and we can generally agree that theatre is an art form. Many, many people like professional wrestling— because it is highly entertaining. However, that does not mean that it is a highly-valued art form. In fact, it is difficult to assess the quality of professional wrestling at all, since much of it is loose improvisation. Some entertainers are certainly better than others and may be lauded for their performances. Still, the art form itself lacks the qualitative stature that is common to other theatre forms. Certainly, one does not expect a Nobel Prize to be given to professional wrestling. But that is not the point. The point is that there is a great difference between being liked and being considered “good.” Sometimes being liked is the desired goal.

So what are we as artists to do with this information? We need to decide whether we are trying to do work that is good or work that is liked. Ideally, we would do both, but often we cannot have that. We must decide what we are trying to do with our art. Are we trying to impact our immediate audience, or are we trying to create work that will speak to audiences in other times and places as well as our own? This is not to say that one choice is better than another; rather, it is to say that sometimes we must clarify what we are trying to do, so that we can better hone our craft and speak to whichever audience we choose.

Date: Sunday, 24. March 2024 22:19
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