Tag archive for » production «

Make One Just for Fun

Sunday, 1. August 2021 22:20

In the push for productivity, we often lose sight of our artistic goals and sensibilities. Rather than creators, we become artisans concerned solely with production of artifacts for our audience, often tailoring our output to the tastes of potential purchasers. While this sort of concentration on production often does much for the bottom line, it does little to satisfy our artistic needs.

In the build-up to this point we develop as artists, honing our skills, developing our craft, finding our own voice. Once that is accomplished, we can often go in one of two very different directions: (1) we can basically turn out slightly varying iterations of the same story, poem, photograph, painting—altering each new piece just enough to say that it is different, while at the same time retaining all those characteristics that mark our work as ours. (2) The second choice is to build on our development, creating new work that represents not just repetition, but growth. We create new things which may or may not appeal to our present audience.

For a number of reasons, many artists select the first path. For example, I know an artist who essentially quit making personal work. All her work now is either consignment or for her Etsy store. And, although it is quite good work, it all looks rather alike. Another artist, a painter who works in acrylic, produces excellent images, all of which very much alike; she has quite a large following. Many of us follow this path: singers whose songs all sound alike, photographers whose work is so similar it could have been shot all on the same day, writers whose novels are nearly identical, or at least follow the same formula.

Along the second path lies risk—what we make may not appeal to our current audience, and we are forced to find another, or change what we are doing. Thus it is more difficult to find artists willing to pursue this path. Several come to mind, but not nearly as many as follow the first path.

The first path is certainly more stable financially—and easier to follow, at least after those of us who follow it find our audience. However, one wonders if those who are essentially cranking out the same pieces over and over still retain the joy of creation. One wonders if they took time out from their schedules to make one piece of work just for the joy of doing it—for fun, it would make any difference.

And that is my suggestion: if we find ourselves becoming slaves to production—turning out piece after piece of all-too-similar pieces, that we take some time and make just one piece for fun—to remind ourselves why we got into this world of creation in the first place. If nothing else, we might get a little relief from the grind that almost always accompanies constant production. Even if we immediately go back to assembly-line production, we might do so with a fresh perspective. It might just provide a renewed approach to our productivity.

Category:Creativity, Productivity | Comment (0) | Autor:

Reopening the Performing Arts

Sunday, 9. May 2021 22:49

Earlier this week, I attended a combined band/choir concert at the college where I teach. It was their first performance in 17 months and was an outdoor event on a warm Texas early evening. The audience was invited to bring their own chairs and many did.

While the concert itself was interesting, the audience was equally interesting. The audience arranged itself into rough rows with people who came together sitting together. Between every group there was a space: without direction, the groups had socially distanced themselves. About half of the audience was masked.

The concert seemed to provide a concrete example of the way people are feeling in May 2021: anxious to get out and do things, but cautious because there’s still a pandemic going on. And, of course, there are those who have pretty much ignored the virus from the beginning in the mix as well.

One wonders what this bodes for performing arts in the future. Some movie theatres are already open. Broadway is scheduled to reopen in September. But will the audiences be comfortable with going back inside for their entertainment? If the concert I attended is any indication, audiences who voluntarily social distance outside will certainly want to be socially distanced inside. To accommodate that need/desire, some ticketing software companies have added a social-distancing feature to their software which automatically creates a “bubble” around sold seats. Then there is the question of masks: will an audience be comfortable wearing masks for the entire length of a performance? Will they be comfortable with no one in the audience wearing masks, or some wearing masks and some not?

With all that social distancing, at what point will performing arts, which struggle to make a profit under the best of circumstances, be able to support themselves? How will they manage to survive if social distancing limits them to 50%-75% of capacity? Or, if they operate at 100% capacity, will audience members be comfortable enough to purchase tickets?

In addition to the question of finances, there is the question of audience response. It is well-known that a tightly-seated audience will respond better than when audience members are separated by empty seats. If a significant portion of seats are empty due to social distancing, what will that do to the audience response? And what, in turn, will that do to the performance?

As difficult as performing arts have been during what we hope was the height of the pandemic, the return to “normal” may be just as difficult. Just as we had to climb the learning curve of virtual production and adapt our techniques to streaming, we will have to adapt again—to the “new normal,” which will not be, cannot be as things were before March 2020. Then as the situation hopefully improves we will have to adapt again, and again, and again.

And we will. The world has seen pandemics before, and the performing arts have survived. And so will they this time. However, I suspect, they will be changed. Indeed, some performing arts companies have already announce permanent changes based on things learned during the pandemic. So we may never go back to “the way things were before.” And that, once we figure it out, will be just fine.

Category:Audience, Theatre | Comment (0) | Autor: